Not a Pretty Girl
I am not a pretty girl
that is not what I do
I ain’t no damsel in distress
and I don’t need to be rescued
so put me down punk
wouldn’t you prefer a maiden fair
isn’t there a kitten
stuck up a tree somewhere
I am not a angry girl
but it seems like
I’ve got everyone fooled
every time I say something
they find hard to hear
they chalk it up to my anger
and never to their own fear
imagine you’re a girl
just trying to finally come clean
knowing full well they’d prefer
you were dirty
and smiling
and I’m sorry
but I am not a maiden fair
and I am not a kitten
stuck up a tree somewhere
generally my generation
wouldn’t be caught dead
working for the man
and generally I agree with them
trouble is you got to have yourself
an alternate plan
I have earned my disillusionment
I have been working all of my life
I am a patriot
I have been fighting the good fight
and what if there are
no damsels in distress
what if I knew that
and I called your bluff
don’t you think every kitten
figures out how to get down
whether or not you ever show up
I am not a pretty girl
I don’t really want to be a pretty girl
I want to be more than a pretty girl
[1995]
After 20 years in the music biz, self-described “Little Folksinger” AniDiFranco is still technically little, although her influence on fellow
musicians, activists, and indie-minded people the world over has been huge. She
still proudly identifies as a folksinger, too, but her understanding of that
term has always been far more expansive than a bin at the record store or a
category on iTunes, with ample room for soul, funk, jazz, electronic music,
spoken word, and a marching band or two. Over the course of more than 20 albums,
including the live double CD Living in Clip (1997) and the two-disc career
retrospective Canon (2007), as well as the latest one, ¿Which Side are You On?
(2012), Ani has never stopped evolving, experimenting, testing the limits of
what can be said and sung. Her lifelong tribe of co-conspirators includes
everyone from Pete Seeger and the late Utah Phillips to a new generation of
twentysomething singer-songwriters who grew up with her songs and shows — and
then there's the motley crew of folks like Prince, Maceo Parker, Andrew Bird,
Dr. John, Arto Lindsay, Bruce Springsteen, Chuck D, the Buffalo Philharmonic,
Gillian Welch, Cyndi Lauper, and even Burmese activist and Nobel laureate Aung
San Suu Kyi, with whom she has crossed paths in a myriad of ways.
Born in Buffalo, New York in 1970, Ani spent part of her twenties in
New York City, then returned to her hometown where she established first a
business office and then a performance venue called Babeville as the twentieth
century ground to a halt and the twenty-first one revved up. For much of the
last decade she's been based in New Orleans — but at her core she's always seen
herself as “a traveler,” covering pretty much the four corners of the earth by
now, both solo and with her band. (There's less corner-covering these days, now
that she's consciously slowing down a bit and raising a daughter with partner
and co-producer Mike Napolitano, but she still gets around just fine, playing
venues like Madison Square Garden for Pete Seeger's ninetieth birthday bash and
another star-studded lineup at the Beacon Theater in Manhattan for Wavy Gravy's
seventy-fifth.)
Early in her career, Ani made a choice that is now so obvious to so
many people that it's hard to remember it was once considered brazen: to say no
to every record label deal that came her way, and yes to being her own boss.
That decision has earned her plenty of attention over the years, but it has
never been what brought sold-out crowds to her shows around the world, fans
debating every nuance of her lyrics, and fellow performers clamoring to work
with her. No, all that has more to do with another choice she made early in
life: To use her voice and her guitar as honestly and unflinchingly as she
could, writing and playing songs that came straight from her own experience,
her boundless imagination, her sharp wit, and her ever-more-nuanced
understanding of how the world works. She did it in noisy bars with nothing but
a shaved head and a lone guitar in 1990, and she's doing it with renewed
intensity today.
Biography taken from Ani DiFranco's website www.righteousbabe.com
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