Excerpts from “Jane Colden: Colonial American Botanist” by Mary
Harrison, a volunteer at the Arnold Arboretum of Harvard University.
“She deserves to be celebrated,”
wrote Peter Collinson to Linnaeus of Jane Colden, whom he described as “perhaps
the first lady that has perfectly studied Linnaeus’ system.”
In the early eighteenth century only a few women in Europe or the
American colonies were involved in botany or any other science. Those few were
usually related to a man working in the subject: Sophia Sarah Banks assisted
her brother, explorer and naturalist Joseph Banks; Caroline Herschel became an
astronomer through her association with her brother William. And Jane Colden
(1724-1766), the subject of Peter Collinson’s praise to Linnaeus in his 1756
letter, was initiated into botany by her father Cadwallader Colden.
We know directly of Jane Colden’s botanical work through a single
manuscript of hers that now resides in the British Museum. Nonetheless, there
is little doubt that she was a respected member of an international community
that was deeply involved in the exchange of plants and botanical information
that followed the discoveries of new plant material in North America.
Contemporary botanists in England and the colonies discussed her in their
correspondence, describing her with such accolades as “assiduous,”
“accomplished,” “scientifically skilful,” “ingenious.” Collinson wrote
enthusiastically about her not only to Linnaeus but to John Bartram: “our
Friend Coldens Daughter Has in a Scientificall Manner Sent over Several sheets
of plants very Curiously Anatomised after [Linnaeus] Method I believe she is
the first Lady that has Attempted any
thing of this Nature.”
In view of the limited educational opportunities available to women in
the 18th century, Jane Colden’s acceptance by this august group of
naturalists and botanists is all the more remarkable. Like most women of her
station and period, she had no formal education, but she was blessed with
parents who recognized her talents and encouraged and equipped her to pursue
her interests.
Jane’s lack of knowledge of Latin was characteristic of women of her
time both in England and in the American colonies. Seventeenth-century writers
commenting upon the lack of Latin instruction recognized it as a miserable
handicap. “Not to read Latin was to go in blinkers,” and the few females who
overcame this difficulty had to put up with “those wise Jests and Scoffs that
are put upon a Woman of Sense and Learning, a Philosophical Lady as she is
call’d by way of Ridicule.” Jane’s mother, and Jane herself, were not far
removed from such attitudes and were certainly not yet liberated from the
traditions that produced them. Nevertheless, Jane’s father was able to report
that her enthusiasm for botany did result in the acquisition of “some knowledge
of Botanical Latin.” Women were not alone in suffering from lack of knowledge
of Latin.
Marsh St. Johnswort - Hypericum virginicum |
In spite of the great impression she obviously made on her
contemporaries during her brief botanical career, Essays and Observations,
Volume II (Edinburgh, 1770), four years after her death. Jane had received a
specimen of the plant in question, Hypericum
virginicum (marsh St. Johnswort) from [Alexander] Garden in 1754. She
herself had already discovered it the previous summer, and as first discoverer,
had named it Gardenia, intending to
honor her friend. It must have been a great disappointment to discover that
John Ellis, the English botanist, had given the name Gardenia jasminoides to the Cape jasmine and under the conventions
of botanical nomenclature was entitled to its use.
The manuscript that comprises Jane’s “pretty large volume” is now part
of the Botany Library of the British Museum [Natural History] in Kensington,
London. […] Jane Colden’s manuscript consists of 341 descriptions and 340
illustrations. Records are written in a legible, consistent hand with neatly
underline headings and subheadings. Latin and common names for the plants are
given. […] The descriptions include observations of plants as they develop and
indicate the long hours she must have spent visiting and revisiting the plants
under study. […] When technical terms elude her she resorts to her own
vocabulary …
Jane Colden was documenting for her countrymen, and for eager Europeans,
and entirely new flora, and it is with this in mind that we can fully
understand her delight in botany and appreciate her contribution.
There seems to have been agreement concerning the high quality of
Jane’s descriptions, and the manuscript confirms that judgment. […]
Unfortunately, Jane’s manuscript was out of reach of succeeding generations who
might have been inspired by her enterprise; and more than two hundred years
after her death the major part of her work remains unpublished. Nevertheless,
by its compilation, though she might not have shattered the contemporary view
that natural history was only “an amusement for ladies,” she has provided us
with an intimate glimpse of the initiation of a woman into colonial botany.
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