Beatrix Potter was an English author, illustrator, natural scientist and conservationist best
known for her imaginative children’s books featuring animals such as those in
The Tale of Peter Rabbit which celebrated the British landscape and country
life.
Born into a privileged Unitarian family, Potter, along with her younger
brother, Walter Bertram (1872–1918), grew up with few friends outside her
large, extended family. Her parents were artistic, interested in nature and
enjoyed the countryside. As children, Beatrix and Bertram had numerous small
animals as pets which they observed closely and drew endlessly. Summer holidays
were spent in Scotland and in the English Lake District where Beatrix developed
a love of the natural world which was the subject of her painting from an early
age.
She was educated by private governesses until she was eighteen. Her
study of languages, literature, science and history was broad and she was an
eager student. Her artistic talents were recognized early. She enjoyed private
art lessons, and developed her own style, favouring watercolour. Along with her
drawings of her animals, real and imagined, she illustrated insects, fossils,
archaeological artefacts, and fungi. In the 1890s her mycological illustrations
and research on the reproduction of fungi spores generated interest from the
scientific establishment. Following some success illustrating cards and booklets,
Potter wrote and illustrated The Tale of Peter Rabbit publishing it first
privately in 1901, and a year later as a small, three-colour illustrated book
with Frederick Warne & Co. She became unofficially engaged to her editor
Norman Warne in 1905 despite the disapproval of her parents, but he died
suddenly a month later, of leukemia.
With the proceeds from the books and a legacy from an aunt, Potter
bought Hill Top Farm in Near Sawrey, a tiny village in the English Lake
District near Ambleside in 1905. Over the next several decades, she purchased
additional farms to preserve the unique hill country landscape. In 1913, at the
age of 47, she married William Heelis, a respected local solicitor from
Hawkshead. Potter was also a prize-winning breeder of Herdwick sheep and a
prosperous farmer keenly interested in land preservation. She continued to
write, illustrate and design spin-off merchandise based on her children’s books
for Warne until the duties of land management and diminishing eyesight made it difficult
to continue. Potter published over twenty-three books; the best known are those
written between 1902 and 1922. She died on 22 December 1943 at her home in Near
Sawrey at age 77, leaving almost all her property to the National Trust. She is
credited with preserving much of the land that now comprises the Lake District
National Park.
Potter’s books continue to sell throughout the world, in multiple
languages. Her stories have been retold in song, film, ballet and animation.
Beatrix Potter’s parents did not discourage higher education. As was
common in the Victorian era, women of her class were privately educated and
rarely sent to college.
Agaricaceae |
An illustration by Potter |
Beatrix Potter was interested in every branch of natural science save
astronomy. Botany was a passion for most Victorians and nature study was a
popular enthusiasm. Potter was eclectic in her tastes; collecting fossils,
studying archeological artifacts from London excavations, and interested in
entomology. In all of these areas she drew and painted her specimens with
increasing skill. By the 1890s her scientific interests centred on mycology.
First drawn to fungi because of their colours and evanescence in nature and her
delight in painting them, her interest deepened after meeting Charles McIntosh,
a revered naturalist and mycologist during a summer holiday in Dunkeld in
Perthshire in 1892. He helped improve the accuracy of her illustrations, taught
her taxonomy, and supplied her with live specimens to paint during the winter.
Curious as to how fungi reproduced Potter began microscopic drawings of fungi
spores (the agarics) and in 1895 developed a theory of their germination.
Through the aegis of her scientific uncle, Sir Henry Enfield Roscoe, a chemist
and vice chancellor of the University of London, she consulted with botanists
at Kew Gardens, convincing George Massee of her ability to germinate spores and
her theory of hybridisation. She did not believe in the theory of symbiosis
proposed by Simon Schwendener, the German mycologist as previously thought,
rather she proposed a more independent process of reproduction.
Rebuffed by William Thiselton-Dyer, the Director at Kew, because of her
gender and her amateur status, Beatrix wrote up her conclusions and submitted a
paper On the Germination of the Spores of the Agariciceae to the Linnean
Society in 1897. It was introduced by Massee because, as a female, Potter could
not attend proceedings or read her paper. She subsequently withdrew it
realising that some of her samples were contaminated, but continued her microscopic
studies for several more years. Her paper has only recently been rediscovered,
along with the rich, artistic illustrations and drawings that accompanied it.
Her work is only now being properly evaluated. Potter later gave her other
mycological drawings and scientific drawings to the Armitt Museum and Library
in Ambleside where mycologists still refer to them to identify fungi. There is
also a collection of her fungi paintings at the Perth Museum and Art Gallery in
Perth, Scotland donated by Charles McIntosh. In 1967 the mycologist W.P.K.
Findlay included many of Potter’s beautifully accurate fungi drawings in his
Wayside & Woodland Fungi, thereby fulfilling her desire to one day have her
fungi drawings published in a book. In 1997 the Linnean Society issued a
posthumous apology to Potter for the sexism displayed in its handling of her
research.
Potter gave her folios of mycological drawings to the Armitt Library
and Museum in Ambleside before her death.